The greatest name in Islamic painting boils down to Kamal-ud-din Behzad, and everyone seems to have heard about him. Behzad must have produced abundance of paintings but very few survive to this day. Behzad also left many talented students. One such exceptional painter was Mulla Dost or Ustad Dost Muhammed Mussawar. Dost Muhammed worked for the Safavid court but later sought new patrons. In this respect he came to Kabul and from there proceeded to Delhi in search of Prince Humayoun. In this respect he landed at Lahore and met Prince Kamran who was in control of this city. A school of book production and painting was already active here and we see the same working in Kamran’s Baradari, which still exist to this day.
A manuscript created at that time, written by Abdullah Sherazi is in some private hands. It shows what was happening here. Even in midst of chaos, emphasis on art was not forsaken. Realizing the tussle between the two brothers, Dost Muhammed went back to Kabul and served Humayoun there for many years as is proven by his seal which says the same. But his presence in Lahore was there.
There was a manuscript of Behzadian School with antique dealer Bahadur Shah of Mochi Gate Lahore. And it was big news at that time. It finally fell into the hands of Jalaluddin Publishers of Kashmeeri Gate, Lahore. There were five miniatures in it and M.A. Rahman Chughtai had seen it. Its final destination or present location is no known but it was attributed to Dost Muhammed Mussawar and probably done in Lahore. History is full of riddles that cannot be solved easily.
A farman of Mirza Kamran explains the situation well. It says:
Mirza Kamran in Lahore at that time. Dost Muhammed calls here. Sees the squabble going in between the two brothers and decides not to prolong his stay here and proceed back to Kabul. A seal testifies that Dost Muhammed got into the service of Prince Humayoun. Art flourished even in the worst of times.