{"id":1879,"date":"2015-02-15T12:33:25","date_gmt":"2015-02-15T12:33:25","guid":{"rendered":"http:\/\/blog.chughtaimuseum.com\/?p=1879"},"modified":"2015-02-15T12:33:25","modified_gmt":"2015-02-15T12:33:25","slug":"razia-sirajuddin-a-woman-of-great-substance","status":"publish","type":"post","link":"http:\/\/blog.chughtaimuseum.com\/?p=1879","title":{"rendered":"RAZIA SIRAJUDDIN &#8211; A WOMAN OF GREAT SUBSTANCE"},"content":{"rendered":"<p>RAZIA SIRAJUDDIN<br \/>\nA WOMAN OF GREAT SUBSTANCE<\/p>\n<p align=\"justify\">Artist, Poet, fashion master, freedom lover<\/p>\n<p align=\"justify\"><a href=\"http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/Razia-1.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-1884\" src=\"http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/Razia-1.jpg\" alt=\"Razia\" width=\"504\" height=\"634\" srcset=\"http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/Razia-1.jpg 504w, http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/Razia-1-238x300.jpg 238w\" sizes=\"(max-width: 504px) 100vw, 504px\" \/><\/a>A woman ahead of her times. Our contact with her was the printed word. We grew up in an art environment and the books of M.A. Rahman Chughtai were ever there to mesmerize us. One book which fascinated us was CHUGHTAI&#8217;S PAINTNGS which had an Introduction and notes by Razia Sirajuddin and a foreword by DR James Cousin. Both people were like spiritual Masters, floating in some air, we could not ever imagine.<\/p>\n<p align=\"justify\"><a href=\"http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/Razia-2-copy.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-1885\" src=\"http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/Razia-2-copy.jpg\" alt=\"Razia 2nd\" width=\"405\" height=\"487\" srcset=\"http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/Razia-2-copy.jpg 405w, http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/Razia-2-copy-249x300.jpg 249w\" sizes=\"(max-width: 405px) 100vw, 405px\" \/><\/a>Another artist of that period Miss Razia Feroze too had a personality like that. But she never went into the experimentation of marriage. But Razia did, and got married to another icon of English literature, being Professor Sirajuddin, and we do not know what happened or how. But Razia ended up in London. And we do not know any details.<\/p>\n<figure id=\"attachment_1881\" aria-describedby=\"caption-attachment-1881\" style=\"width: 500px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/Dr-James-Cousen.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-1881\" src=\"http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/Dr-James-Cousen.jpg\" alt=\"Dr James Cousen\" width=\"500\" height=\"622\" srcset=\"http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/Dr-James-Cousen.jpg 500w, http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/Dr-James-Cousen-241x300.jpg 241w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/a><figcaption id=\"caption-attachment-1881\" class=\"wp-caption-text\">Dr James Cousen<\/figcaption><\/figure>\n<p align=\"justify\">However our letter archives show that M.A. Rahman Chughtai and Razia Sirajuddin were in contact with each other. Her letters from Oxford also include a NEW foreword and NOTES on a proposed SECOND EDITION of CHUGHTAIS PAINTINGS. Unfortunately that never happened but we still have her Foreword. In fact the next book that got printed in 1952 was CHUGHTAI INDIAN PAINTINGS and that is another story. Her letters are dated around 1949 to 1955. The 1955 one is from Ormonde Hotel, Berlize Grove, London N.W. 3. Others are from Oxford itself. She expresses her thanks for the artist&#8217;s kind words on her own works.<\/p>\n<figure id=\"attachment_1880\" aria-describedby=\"caption-attachment-1880\" style=\"width: 672px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/Chughtais-Paintings-Second-Edition.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-1880\" src=\"http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/Chughtais-Paintings-Second-Edition.jpg\" alt=\"Chughtais Paintings Second Edition\" width=\"672\" height=\"755\" srcset=\"http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/Chughtais-Paintings-Second-Edition.jpg 672w, http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/Chughtais-Paintings-Second-Edition-267x300.jpg 267w\" sizes=\"(max-width: 672px) 100vw, 672px\" \/><\/a><figcaption id=\"caption-attachment-1880\" class=\"wp-caption-text\">Chughtais Paintings Second Edition<\/figcaption><\/figure>\n<p align=\"justify\">In any case the original Notes she wrote for the book of M.A. Rahman Chughtai, at the suggestion of Pitras Bokhari to the artist, still keeps her on the scene of Pakistan. In her life time she was remembered by many, and made her presence felt. But the society is fickle and today she literally stands forgotten by time itself. Our tribute to her is ever there. May Allah bless her soul!<\/p>\n<figure id=\"attachment_1883\" aria-describedby=\"caption-attachment-1883\" style=\"width: 474px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/R-S-Letters.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-large wp-image-1883\" src=\"http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/R-S-Letters-639x1024.jpg\" alt=\"R S Letters\" width=\"474\" height=\"760\" srcset=\"http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/R-S-Letters-639x1024.jpg 639w, http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/R-S-Letters-187x300.jpg 187w, http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/R-S-Letters.jpg 700w\" sizes=\"(max-width: 474px) 100vw, 474px\" \/><\/a><figcaption id=\"caption-attachment-1883\" class=\"wp-caption-text\">R S Letters<\/figcaption><\/figure>\n<p align=\"justify\">P.S.<br \/>\nThanks to her niece Ms Amna Omar for sharing her images with us. Perhaps someone has some art work of her too. Contribute!<\/p>\n<figure id=\"attachment_1882\" aria-describedby=\"caption-attachment-1882\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/MARC-in-1952.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-1882\" src=\"http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/MARC-in-1952.jpg\" alt=\"MARC in 1952\" width=\"300\" height=\"619\" srcset=\"http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/MARC-in-1952.jpg 300w, http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/MARC-in-1952-145x300.jpg 145w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-1882\" class=\"wp-caption-text\">MARC in 1952<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>RAZIA SIRAJUDDIN A WOMAN OF GREAT SUBSTANCE Artist, Poet, fashion master, freedom lover A woman ahead of her times. Our contact with her was the printed word. We grew up in an art environment and the books of M.A. Rahman Chughtai were ever there to mesmerize us. One book which fascinated us was CHUGHTAI&#8217;S PAINTNGS &hellip; <a href=\"http:\/\/blog.chughtaimuseum.com\/?p=1879\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">RAZIA SIRAJUDDIN &#8211; A WOMAN OF GREAT SUBSTANCE<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_mi_skip_tracking":false},"categories":[1],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/blog.chughtaimuseum.com\/index.php?rest_route=\/wp\/v2\/posts\/1879"}],"collection":[{"href":"http:\/\/blog.chughtaimuseum.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.chughtaimuseum.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.chughtaimuseum.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.chughtaimuseum.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1879"}],"version-history":[{"count":1,"href":"http:\/\/blog.chughtaimuseum.com\/index.php?rest_route=\/wp\/v2\/posts\/1879\/revisions"}],"predecessor-version":[{"id":1886,"href":"http:\/\/blog.chughtaimuseum.com\/index.php?rest_route=\/wp\/v2\/posts\/1879\/revisions\/1886"}],"wp:attachment":[{"href":"http:\/\/blog.chughtaimuseum.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1879"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.chughtaimuseum.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1879"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.chughtaimuseum.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1879"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}