{"id":3530,"date":"2017-01-24T18:09:47","date_gmt":"2017-01-24T18:09:47","guid":{"rendered":"http:\/\/blog.chughtaimuseum.com\/?p=3530"},"modified":"2017-01-24T18:11:00","modified_gmt":"2017-01-24T18:11:00","slug":"abanindaranath-tagore-and-m-a-rahman-chughtai-the-very-first-comparison-of-both-painters","status":"publish","type":"post","link":"http:\/\/blog.chughtaimuseum.com\/?p=3530","title":{"rendered":"ABANINDARANATH TAGORE AND M. A. RAHMAN CHUGHTAI &#8211; THE VERY FIRST COMPARISON OF BOTH PAINTERS"},"content":{"rendered":"<p>ABANINDARANATH TAGORE AND M. A. RAHMAN CHUGHTAI<br \/>\nTHE VERY FIRST COMPARISON OF BOTH PAINTERS<\/p>\n<p align=\"justify\">Individual expression of identity<\/p>\n<figure id=\"attachment_3531\" aria-describedby=\"caption-attachment-3531\" style=\"width: 185px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/058-Spring-Breeze.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-3531\" src=\"http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/058-Spring-Breeze-185x300.jpg\" alt=\"\" width=\"185\" height=\"300\" srcset=\"http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/058-Spring-Breeze-185x300.jpg 185w, http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/058-Spring-Breeze.jpg 500w\" sizes=\"(max-width: 185px) 100vw, 185px\" \/><\/a><figcaption id=\"caption-attachment-3531\" class=\"wp-caption-text\">Spring Breeze<\/figcaption><\/figure>\n<figure id=\"attachment_3532\" aria-describedby=\"caption-attachment-3532\" style=\"width: 197px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/Abanindranath-Tagore-1911.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-3532\" src=\"http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/Abanindranath-Tagore-1911-197x300.jpg\" alt=\"\" width=\"197\" height=\"300\" srcset=\"http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/Abanindranath-Tagore-1911-197x300.jpg 197w, http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/Abanindranath-Tagore-1911.jpg 500w\" sizes=\"(max-width: 197px) 100vw, 197px\" \/><\/a><figcaption id=\"caption-attachment-3532\" class=\"wp-caption-text\">Abanindranath Tagore 1911<\/figcaption><\/figure>\n<p align=\"justify\">In 1911 Abanindaranath Tagore was the acknowledged Master Painter of India of the Bengal School. His fame was international and his stature in India extra-ordinary. No one even came close to them. Then emerged M.A. Rahman Chughtai from Punjab, India to challenge the position of the Master Painter of India, as a young teenager of Lahore. We can compare works done on the same theme set as a challenge of the times.<\/p>\n<p align=\"justify\">There are more works, which can be compared at the start of the career of the artist. Eventually we will post more.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ABANINDARANATH TAGORE AND M. A. RAHMAN CHUGHTAI THE VERY FIRST COMPARISON OF BOTH PAINTERS Individual expression of identity In 1911 Abanindaranath Tagore was the acknowledged Master Painter of India of the Bengal School. His fame was international and his stature in India extra-ordinary. No one even came close to them. Then emerged M.A. Rahman Chughtai &hellip; <a href=\"http:\/\/blog.chughtaimuseum.com\/?p=3530\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">ABANINDARANATH TAGORE AND M. A. RAHMAN CHUGHTAI &#8211; THE VERY FIRST COMPARISON OF BOTH PAINTERS<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_mi_skip_tracking":false},"categories":[1],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/blog.chughtaimuseum.com\/index.php?rest_route=\/wp\/v2\/posts\/3530"}],"collection":[{"href":"http:\/\/blog.chughtaimuseum.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.chughtaimuseum.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.chughtaimuseum.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.chughtaimuseum.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3530"}],"version-history":[{"count":3,"href":"http:\/\/blog.chughtaimuseum.com\/index.php?rest_route=\/wp\/v2\/posts\/3530\/revisions"}],"predecessor-version":[{"id":3535,"href":"http:\/\/blog.chughtaimuseum.com\/index.php?rest_route=\/wp\/v2\/posts\/3530\/revisions\/3535"}],"wp:attachment":[{"href":"http:\/\/blog.chughtaimuseum.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3530"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.chughtaimuseum.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3530"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.chughtaimuseum.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3530"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}