{"id":10471,"date":"2019-08-02T10:39:27","date_gmt":"2019-08-02T10:39:27","guid":{"rendered":"http:\/\/blog.chughtaimuseum.com\/?p=10471"},"modified":"2019-08-02T12:37:03","modified_gmt":"2019-08-02T12:37:03","slug":"the-last-moments-of-the-holy-sinner-sadequain-as-recorded-by-his-disciple-anwar-iqbal-in-jhang","status":"publish","type":"post","link":"https:\/\/blog.chughtaimuseum.com\/?p=10471","title":{"rendered":"THE LAST MOMENTS OF THE “HOLY SINNER” SADEQUAIN – AS RECORDED BY HIS DISCIPLE ANWAR IQBAL IN “JHANG”"},"content":{"rendered":"
THE LAST MOMENTS OF THE “HOLY SINNER” SADEQUAIN<\/div>\n
AS RECORDED BY HIS DISCIPLE ANWAR IQBAL IN “JHANG”<\/div>\n
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Roz nama Jhang Juma edition<\/figcaption><\/figure>\n

Somebody coined the term “Holy Sinner” for Sadequain artist. It was coined to reconcile the two different aspects in the character of the artist. In a very objective way it can be understood from the fact that in the times of Prime Minister Zulfiqar Ali Bhutto, Sadequain was making so called erotic art, and there was much resentment when these works were exhibited in Lahore. Even anti riot police had to be called to quell the demonstrations. When President Zia ul Haque came into power the same Sadequain was writing Islamic calligraphy. It was the ingenuity of the artist to change complexions all the time. In the foot steps of M.A. Rahman Chughtai, Sadequain worked on Ghalib, Iqbal as well as Omar Khayyam. No problem with any of that. But the Holy Sinner made strange comment both on PTV as well at other places. Calling his art the art of the gutter which takes out the dirt of the society, he proclaimed that he was not a drawing room artist. No issue there too. All these statements are documented facts.<\/p>\n<\/div>\n

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Last moments Sadequain<\/figcaption><\/figure>\n
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Written will of Sadequain<\/figcaption><\/figure>\n

The last moments of Sadequain are recorded by his fan and disciple Anwar Iqbal, and in detail he lists the same. Sadequain had written his will and his desire not to be buried in Karachi or Amroha. No one heeded to that. Also not heeded was his last moment desire for the liquid of his choice and said to Anwar you will be responsible for my death, if you do not bring it in hiding to me. All this is recorded in Daily Jhang Juma Magazine and we print it for the reference to our viewers. Nothing from us, everything from him. But it is sad that addictions destroy creativity of life. At a very early age of 63, Sadequain died between the night of 9th and 10th, January, 1987.\u00a0Ina lillah hai wa ina illa hai rajoon!<\/p>\n<\/div>\n

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Sadequain as fasting Buddha<\/figcaption><\/figure>\n<\/div>\n
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Autograph Sadequain 1971<\/figcaption><\/figure>\n<\/div>\n
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THE LAST MOMENTS OF THE “HOLY SINNER” SADEQUAIN AS RECORDED BY HIS DISCIPLE ANWAR IQBAL IN “JHANG” Somebody coined the term “Holy Sinner” for Sadequain artist. It was coined to reconcile the two different aspects in the character of the artist. In a very objective way it can be understood from the fact that in … Continue reading THE LAST MOMENTS OF THE “HOLY SINNER” SADEQUAIN – AS RECORDED BY HIS DISCIPLE ANWAR IQBAL IN “JHANG”<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_mi_skip_tracking":false},"categories":[1],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blog.chughtaimuseum.com\/index.php?rest_route=\/wp\/v2\/posts\/10471"}],"collection":[{"href":"https:\/\/blog.chughtaimuseum.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.chughtaimuseum.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.chughtaimuseum.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.chughtaimuseum.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10471"}],"version-history":[{"count":2,"href":"https:\/\/blog.chughtaimuseum.com\/index.php?rest_route=\/wp\/v2\/posts\/10471\/revisions"}],"predecessor-version":[{"id":10478,"href":"https:\/\/blog.chughtaimuseum.com\/index.php?rest_route=\/wp\/v2\/posts\/10471\/revisions\/10478"}],"wp:attachment":[{"href":"https:\/\/blog.chughtaimuseum.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10471"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.chughtaimuseum.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10471"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.chughtaimuseum.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10471"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}