{"id":13077,"date":"2025-05-20T15:08:32","date_gmt":"2025-05-20T15:08:32","guid":{"rendered":"https:\/\/blog.chughtaimuseum.com\/?p=13077"},"modified":"2025-05-20T15:08:33","modified_gmt":"2025-05-20T15:08:33","slug":"who-spins-the-narration-of-our-beloved-country-ever-hell-bent-on-promoting-hindu-sikh-narratives-another-book-on-lahore-by-neelum-chaudri-ignorant-of-national-artist-of-pakistan-and-his-c","status":"publish","type":"post","link":"https:\/\/blog.chughtaimuseum.com\/?p=13077","title":{"rendered":"WHO SPINS THE NARRATION OF OUR BELOVED COUNTRY? EVER HELL BENT ON PROMOTING HINDU, SIKH, NARRATIVES; ANOTHER\u00a0 BOOK ON LAHORE BY NEELUM CHAUDRI, IGNORANT ,OF NATIONAL ARTIST OF PAKISTAN, AND HIS CHUGHTAI MUSEUM."},"content":{"rendered":"\n

WHO SPINS THE NARRATION OF OUR BELOVED COUNTRY?
EVER HELL BENT ON PROMOTING HINDU, SIKH, NARRATIVES;
ANOTHER\u00a0 BOOK ON LAHORE BY NEELUM CHAUDRI, IGNORANT,
OF NATIONAL ARTIST OF PAKISTAN, AND HIS CHUGHTAI MUSEUM.<\/p>\n\n\n\n

It is noticeable for a long time. There was an elite  who fostered our country and its ideology. And there arose another group of elite, who continuously spoke of our country in perspective of geography only. It started with the role of MI 6 itself. The British left with their cronies behind, to muddle the Ideology of Pakistan. And to steal the Art treasures of Pakistan. This was told to me by Basil Gray, former Curator of British Museum, who inaugurated one of our shows in 1977, and was looking forward to curating a show of Chughtai Art in Teheran of the Shahbanou Foundation. I have written about it many times.<\/p>\n\n\n\n

Abdur Rahman Chughtai died on 17th January, 1975, and we immediately began a world tour of promoting him. On 17th January, 1976, we held our first show. We have held more than 65 shows in the last fifty years. We helped hundreds of students and scholars to research on Chughtai Art. From many who did their PHDS on Chughtai Art, to even high school students writing on Chughtai Sahib. Endless list and signed affidavits with us. We started various publications on Lahore and Abdur Rahman Chughtai. First for  some years BEAUTY series. Later NATIONS IN ACTION series. We invited world class scholars from all over the world here to give lectures on Chughtai art. Later we started a blog which to date was seen in 204 countries, with total views of 696,727 from all over the world. For instance 77,975 views from USA and 79,306 views from even India. A few hundred views from even Israel and Cuba. And yet there are groups who totally ignore us.<\/p>\n\n\n\n

So who is behind controlling our adverse narrations? Foreign lobbies with their paid agents here.<\/p>\n\n\n\n

A number of so called morons struts the streets of Lahore, looking for any signs of Hindu temples and Hindu Havelis. Not understanding that decline of Muslims in Lahore started after the 1857 Mutiny. The walls of Lahore were brought down, the gates demolished, and the gallis widened so that no uprising could take place. Muslims were stressed out, a poverty class overnight.Muslim households could not even sustain the houses they lived in. We are not merely patriotic p[eople, we are patriotic to the Spirit of Islam. Dr Allama Iqbal wrote the RECONSTRUCTION lectures to guide us for future at all times. All we and the adverse group can think of is belittle our national icons, including Dr Allama Iqbal and Quaid e Azam. It is a fight between SOULS and SOULLESS people. Even Amrita Sher Gill honoured Dr Allama Iqbal by making a photograph of him in Paris. Romance is created of atheists who do not even believe in Allah, how can they believe in Pakistan? <\/p>\n\n\n\n

\n
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Neelum Chaudri ignorant of Chughtai Museum<\/figcaption><\/figure>\n\n\n\n
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LAHORE A love story<\/figcaption><\/figure>\n\n\n\n
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Kishwar Bano inauguration stone<\/figcaption><\/figure>\n\n\n\n
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Inaugural New Wing of Chughtai Museum<\/figcaption><\/figure>\n\n\n\n
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A routine of American Ambassadors<\/figcaption><\/figure>\n\n\n\n
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Amrita Sher-Gil photo<\/figcaption><\/figure>\n\n\n\n
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Not-the-Time-to-Rest<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Abdur Rahman Chughtai, the legend who introduced the word Chughtai Art for a beautiful girl in Urdu vocabulary, as reflected in many films of that time, when the hero calls his beloved as  Chughtai art.  The artist who put Lahore on the art map of the  world again. An artist who designed insignias for Pakistan, and an art which western scholars called him MODERN MASTER OF ISLAMIC CIVILIZATION. A true native of Lahore from the last many generations, and spineless authors are afraid of even giving his name, for retribution from Masters. A spotless character, who Prime Minister Liaquat Ali Khan, designated as the NATIONAL ARTIST OF PAKISTAN.<\/p>\n\n\n\n

CHUGHTAI MUSEUM faced the wrath of various governments in Pakistan, at both Federal and provincial level. Not for anything we have done, but our motivations of welfare of not only Pakistan, but its Ideology. When two penny junkies speak against our country, it boils us down. Stop it! Love Pakistan, or leave Pakistan. We do not need lunatics like you here, who cut the branch on which they stand. Pakistan is the Islamic Republic, the first step towards a better world.<\/p>\n\n\n\n

P.S.<\/p>\n\n\n\n

Poet Neelum Chaudri, please learn more about Abdur Rahman Chughtai and Chughtai Museum. It is not a world of ignorance.<\/p>\n","protected":false},"excerpt":{"rendered":"

WHO SPINS THE NARRATION OF OUR BELOVED COUNTRY?EVER HELL BENT ON PROMOTING HINDU, SIKH, NARRATIVES;ANOTHER\u00a0 BOOK ON LAHORE BY NEELUM CHAUDRI, IGNORANT,OF NATIONAL ARTIST OF PAKISTAN, AND HIS CHUGHTAI MUSEUM. It is noticeable for a long time. There was an elite  who fostered our country and its ideology. And there arose another group of elite, … Continue reading WHO SPINS THE NARRATION OF OUR BELOVED COUNTRY? EVER HELL BENT ON PROMOTING HINDU, SIKH, NARRATIVES; ANOTHER\u00a0 BOOK ON LAHORE BY NEELUM CHAUDRI, IGNORANT ,OF NATIONAL ARTIST OF PAKISTAN, AND HIS CHUGHTAI MUSEUM.<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_mi_skip_tracking":false},"categories":[1],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blog.chughtaimuseum.com\/index.php?rest_route=\/wp\/v2\/posts\/13077"}],"collection":[{"href":"https:\/\/blog.chughtaimuseum.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.chughtaimuseum.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.chughtaimuseum.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.chughtaimuseum.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13077"}],"version-history":[{"count":1,"href":"https:\/\/blog.chughtaimuseum.com\/index.php?rest_route=\/wp\/v2\/posts\/13077\/revisions"}],"predecessor-version":[{"id":13085,"href":"https:\/\/blog.chughtaimuseum.com\/index.php?rest_route=\/wp\/v2\/posts\/13077\/revisions\/13085"}],"wp:attachment":[{"href":"https:\/\/blog.chughtaimuseum.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13077"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.chughtaimuseum.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13077"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.chughtaimuseum.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13077"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}