{"id":984,"date":"2014-01-27T18:03:44","date_gmt":"2014-01-27T18:03:44","guid":{"rendered":"http:\/\/blog.chughtaimuseum.com\/?p=984"},"modified":"2014-01-27T18:03:44","modified_gmt":"2014-01-27T18:03:44","slug":"dr-rabindarnath-tagore-and-abdur-rahman-chughtai-art-and-artists-uniting-two-nations","status":"publish","type":"post","link":"https:\/\/blog.chughtaimuseum.com\/?p=984","title":{"rendered":"DR RABINDARNATH TAGORE AND ABDUR RAHMAN CHUGHTAI &#8211; ART AND ARTISTS UNITING TWO NATIONS"},"content":{"rendered":"<p>DR RABINDARNATH TAGORE AND ABDUR RAHMAN CHUGHTAI<br \/>\nART AND ARTISTS UNITING TWO NATIONS<\/p>\n<p align=\"justify\">The power of aesthetics for peace<\/p>\n<figure id=\"attachment_986\" aria-describedby=\"caption-attachment-986\" style=\"width: 685px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/Golden-Book-of-Tagore-1931.jpg\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" class=\" wp-image-986 \" alt=\"Golden Book of Tagore 1931\" src=\"http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/Golden-Book-of-Tagore-1931.jpg\" width=\"685\" height=\"514\" srcset=\"https:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/Golden-Book-of-Tagore-1931.jpg 979w, https:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/Golden-Book-of-Tagore-1931-300x224.jpg 300w\" sizes=\"(max-width: 685px) 100vw, 685px\" \/><\/a><figcaption id=\"caption-attachment-986\" class=\"wp-caption-text\">Golden Book of Tagore 1931<\/figcaption><\/figure>\n<p align=\"justify\">Dr Rabindarnath Tagore as well as his nephew Abindaranath Tagore and his school of art dominated the cultural scene of India. There was no room for any other region to intervene in their domain. The story of Tagores and Chughtai is a long one. Suffice to say that interaction was inevitable between Bengal and Punjab.<\/p>\n<figure id=\"attachment_987\" aria-describedby=\"caption-attachment-987\" style=\"width: 593px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/The-Story-teller-tribute-to-Tagore.jpg\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" class=\" wp-image-987 \" alt=\"The Story-teller tribute to Tagore\" src=\"http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/The-Story-teller-tribute-to-Tagore.jpg\" width=\"593\" height=\"437\" srcset=\"https:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/The-Story-teller-tribute-to-Tagore.jpg 989w, https:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/The-Story-teller-tribute-to-Tagore-300x220.jpg 300w\" sizes=\"(max-width: 593px) 100vw, 593px\" \/><\/a><figcaption id=\"caption-attachment-987\" class=\"wp-caption-text\">The Story-teller tribute to Tagore<\/figcaption><\/figure>\n<p align=\"justify\">In 1931 to commemorate 70 years of Rabindarbnath Tagore an exclusive limited edition book, namely the GOLDEN BOOK OF TAGORE was issued, and the world sent their compliments to the poet. Abdur Rahman Chughtai also presented his tribute to the great Tagore by donating an image of the first version of the &#8216;Story-teller&#8217; for the publication. It was strangely printed, when all chances were that it would be rejected. It is a historical document this book and in 1931, highlights the position of Abdur Rahman Chughtai in the scheme of things.<\/p>\n<figure id=\"attachment_985\" aria-describedby=\"caption-attachment-985\" style=\"width: 423px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/Dr-Rabindarnath-Tagore.jpg\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" class=\" wp-image-985 \" alt=\"Dr Rabindarnath Tagore\" src=\"http:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/Dr-Rabindarnath-Tagore-661x1024.jpg\" width=\"423\" height=\"655\" srcset=\"https:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/Dr-Rabindarnath-Tagore-661x1024.jpg 661w, https:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/Dr-Rabindarnath-Tagore-193x300.jpg 193w, https:\/\/blog.chughtaimuseum.com\/wp-content\/uploads\/Dr-Rabindarnath-Tagore.jpg 800w\" sizes=\"(max-width: 423px) 100vw, 423px\" \/><\/a><figcaption id=\"caption-attachment-985\" class=\"wp-caption-text\">Dr Rabindarnath Tagore (click for large view)<\/figcaption><\/figure>\n<p align=\"justify\">Dr Rabindarnath Tagore was also appreciative of the art of Chughtai and we see this letter in our archives and it gets exposed here. The summary of all this is, that however diverse the cultures, Art and Aesthetics have the power to unite nations, not in losing their own Identity, but in forging feelings of love.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>DR RABINDARNATH TAGORE AND ABDUR RAHMAN CHUGHTAI ART AND ARTISTS UNITING TWO NATIONS The power of aesthetics for peace Dr Rabindarnath Tagore as well as his nephew Abindaranath Tagore and his school of art dominated the cultural scene of India. There was no room for any other region to intervene in their domain. The story &hellip; <a href=\"https:\/\/blog.chughtaimuseum.com\/?p=984\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">DR RABINDARNATH TAGORE AND ABDUR RAHMAN CHUGHTAI &#8211; ART AND ARTISTS UNITING TWO NATIONS<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_mi_skip_tracking":false},"categories":[1],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blog.chughtaimuseum.com\/index.php?rest_route=\/wp\/v2\/posts\/984"}],"collection":[{"href":"https:\/\/blog.chughtaimuseum.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.chughtaimuseum.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.chughtaimuseum.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.chughtaimuseum.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=984"}],"version-history":[{"count":1,"href":"https:\/\/blog.chughtaimuseum.com\/index.php?rest_route=\/wp\/v2\/posts\/984\/revisions"}],"predecessor-version":[{"id":988,"href":"https:\/\/blog.chughtaimuseum.com\/index.php?rest_route=\/wp\/v2\/posts\/984\/revisions\/988"}],"wp:attachment":[{"href":"https:\/\/blog.chughtaimuseum.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=984"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.chughtaimuseum.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=984"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.chughtaimuseum.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=984"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}