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EVERY DAY YOU HEAR PEOPLE PREDICTING THE FUTURE NULLIFYING ALLAH’S RAHMAT – HUMAN BEINGS ARE ASHRAF UL MAKLOOQAT ONLY BEINGS GIVEN POWER OF CHOICE

EVERY DAY YOU HEAR PEOPLE PREDICTING THE FUTURE NULLIFYING ALLAH’S RAHMAT
HUMAN BEINGS ARE ASHRAF UL MAKLOOQAT ONLY BEINGS GIVEN POWER OF CHOICE
Asma-Husna-by-Miran-Baksh-Naqash-Lahori

The creation of Allah is infinite. Living things abound in life but they are not provided with freedom of choice. Allah has gifted human kind with some thing a quality no other being has in existence. The power to make choices. Choices which can lead any where. And with these choices, the power of prediction is zero, mere speculations. If this power was given to human kind, the whole concept of right and wrong will go in one sweep. The Quranic law of Makufat tells us that if you make virtuous choices, the results would be good. If you make evil choices, the result would be bad in all ways. And not only individual choices, but the choices society makes lead to same results.

Mirza Ghalib in the famous verse tells us that when a horse rider puts one foot in a stirrup, he does not know whether he will live to the moment of putting his foot in the other stirrup. M.A. Rahman Chughtai in his painting LIFE illustrates it in different way. There is a floating lotus with a lamp on a lake or river,  and the water waves are jostling while taking it away. One does not know when the water will reach the floating lamp and extinguishes it forever. That is life, unpredictable!
When Allah has not given us even the knowledge of our death, how can Allah give us the date of the death of the world? Qiamat is only understood by Allah, we have no capacity to know same. Behind every rickshaw on the street, as well as huge flexes on walls, we see bearded ones giving us lectures about their spiritual powers. Impressions being generated for morons in our society. So unfortunate that instead of guiding people, putting them astray in society.
LIFE

A point forgotten by all when talking about the IDEAL SOCIAL SET UP generated by Islamic government after the demise of our Prophet (PBUH) is that all their efforts came from the QURAN itself, and any ijtehad the people in power could think their way out. It was DEEN (a way of life) in full swing. Riyasat ul Madina as people at times term it, was made possible, for there were no conflicting hadees at that time. In fact there were no hadees at all, there was merely the Quran. Probably the first hadees came around 232 AH. More than two hundred years nothing was there to mitigate Quranic thinking. Clarity was the key to Islamic state.

Allah has given us options and requires us to think and ponder and find a way out of all dilemmas. Our sacred duty is to do that. Yes Allah tests us all the time and we have to rise to the occasion all the time. Janat is endless struggle, janam is end of everything.

A SHORT EPISODE IN LITHOGRAPHIC TRAINING OF M.A. RAHMAN CHUGHTAI – THE ARCHAEOLOGICAL SURVEY OF INDIA HEADQUARTERS IN CITY OF CALCUTTA – 21ST JULY TO 4TH SEPTEMBER 1919 A TOTAL OF AROUND 43 DAYS OF ETCHING

A SHORT EPISODE IN LITHOGRAPHIC TRAINING OF M.A. RAHMAN CHUGHTAI
THE ARCHAEOLOGICAL SURVEY OF INDIA HEADQUARTERS IN CITY OF CALCUTTA
21ST JULY TO 4TH SEPTEMBER 1919 A TOTAL OF AROUND 43 DAYS OF ETCHING
Archaeological Survey Headquarters

M.A. Rahman Chughtai studied Photo-lithography at Mayo School of Arts and was later put in charge of the same department. To polish his skills, he was sent to the Photo-lithograhy department of Archaeological Survey of India in the Summer camp which lasted from 21t July to 4th September, 1919. Not having enough resources to stay in some fancy place, he was a paying guest of an inn keeper, that is a small tandoor in the city. He was in a hurry to come back to Lahore. He did not like to stay there far away from his home.

Lithography Section of MARC
Lithography Instruction Manual

There for holidays collected Master Hussain Baksh originally from Lahore (famous artist of Agha Hashar theatre), Master Sher Muhammed and others. Chughtai Sahib was in no mood to betray his visit but he accompanied all the other artists to Shantiniketan, where they met the artist, Abanindranath Tagore. Contrary to the prior promise that his identity will not be revealed, the companions blurted out his name, when Tagore asked them about the artist from Punjab, who was publishing works in magazine Modern Review Calcutta.  And that is where the FIRST CONFRONTATION took place when the Bengali Master called Chughtai Sahib Kabuli wala in a demeaning way and made jest of his large hands like an iron smith. All those morons who talk of this visit in the insulting way of perhaps Chughtai Sahib being a student of Tagore can learn much by reading about the happenings there. But that is a separate topic and we will talk about it later.

The relation with Tagores is a separate tale with its own merits.
Certificate Lithography 1919
First-published-work-Jan-1916

FOUR AMAZING VIEWS OF M.A. RAHMAN CHUGHTAI -FEW WOULD BE ABLE TO RECOGNIZE SAME TODAY

FOUR AMAZING VIEWS OF M.A. RAHMAN CHUGHTAI
FEW WOULD BE ABLE TO RECOGNIZE SAME TODAY
MARC back view under ten

On the compounds of Wazeer Khan mosque and the Naqashi School of Baba Miran Baksh a photograph taken with the back of M.A. Rahman Chughtai and in the distance (group of three) stands a relative Mian Abdullah and the two brothers Abdullah and Abdur Raheem. An amazing memory. Chughtai stands with a senior unrecognized but could be Fazal Din Sahaf. Then on his first marriage day with the other two grooms. Group photograph. Again so rare, obtaining it was a miracle. Then a group photograph at Mayo School of Arts, stands Chughtai artist with his brother Master Abdullah. And then a professional photograph done by a friend of his at that time. The same photograph made into a painting by another artist Mian Abdur Rahman.

Photographs keep alive images long gone and remind us that the same are necessary in the memory of keeping things alive. Enjoy!
MARC under fifteen
MARC under eighteen
MARC under twenty

THE IMPULSE TO ADORN NIKAH NAMAS WITH ISLAMIC AESTHETICS – TRADITION BEING REVIVED AT PLACES AND ROLE OF LAHORE ARTISTS

THE IMPULSE TO ADORN NIKAH NAMAS WITH ISLAMIC AESTHETICS
TRADITION BEING REVIVED AT PLACES AND ROLE OF LAHORE ARTISTS
Iranian nikah nama

Ordinary people got married at simple functions, where there was nor even a written record of a marriage. People collected together and witnessed a marriage. Then when women were deprived of their legitimate rights, things started to get on record. The British period in Lahore led to registration of nikahs. Lavish displays were not for any record. The nikah namas evolved in Lahore from hand drawn documents to printed ones. Designed by various artists in Lahore. Baba Miran Baksh and his son Muhammed Hayat Naqash also used to draw these forms with traditional naqashi and were sold for around Two rupees at that time. A full fledged nikah forms business was there in Lahore with various designs for them.

Farooq Ishaq designer nikah namas Lahore

Farooq Ishaq and Umar Shazad are the new designers from Pakistan. A form to treasure should be as beautiful as possible. Satanic minds in international circles are making a taboo of marriage itself and innovations to break the sacred contract are there ever more. The devil initiated concepts like SAYING NO TO HUSBAND and SAYING YES TO OTHERS. Adultery is no longer a crime in India in these new shape of things. Utter shame for  any judicial system to sabotage sacred bond of human beings. And then initiating same sex marriages as a sort of romantic undertaking. It seems that Western powers want to erase the blessings of Allah on our society. The curse of Allah is not far behind Satanic minds.

Nikah nama of Bahadur Shah Zafar
Nikah nama Lahore 1
Nikah nama Lahore 2
Hand drawn nikah nama Lahore 3
Umar Shahzad nikah nama designer

A FUNCTION IN LAHORE 17TH FEBRUARY 1917 IN COMMEMORATION – KHAN BAHADUR TITLE SIRAJUDDIN PUBLISHER KASHMEERI BAZAAR – INVITATION OF YOUNG PHOTOGRAPHER ABDUR RAHMAN CHUGHTAI

A FUNCTION IN LAHORE 17TH FEBRUARY 1917 IN COMMEMORATION
KHAN BAHADUR TITLE SIRAJUDDIN PUBLISHER KASHMEERI BAZAAR
INVITATION OF  YOUNG PHOTOGRAPHER ABDUR RAHMAN CHUGHTAI
Khan Bahadur Sirajuddin 1917

Photography was a passion with Abdur Rahman Chughtai. He had got his hand on a wooden box camera and he fitted plates in it, and photographed many famous families of Lahore. Some of them still had plates he made, as well as photographs he did. In a very interesting way his specialty was colouring the black and white photographs with a spray pen of aerograph. His aerographic spray became famous in Lahore. One of his most famous work was that of an Englishman, who was Director Education in Lahore. His colouring of Dr Allama Iqbal’s work is well known.

Jahangeer Mausoleum

There was a function at Jahangeer’s mausoleum in Lahore to celebrate the award of Khan Bahadur title to publisher Sirajuddin of Kashmeeri Bazaar. The artist was there in a group photograph but that went missing in time. In any case there is some record left and we can share that in time. A famous family of Mochi Darwaza too retained these plates till some time back, but when they shifted their house, we lost track of them. We do know that the son of that person used to work in united Bank Limited. If they read this. they can get in touch with us.

Khan Bahadur Sirajuddin 1919

A MEMORY OF A FAMOUS HINDU FROM LAHORE – LALA MELA RAM 1876 AND 1886 RAI BAHADUR

A MEMORY OF A FAMOUS HINDU FROM LAHORE
LALA MELA RAM 1876 AND 1886 RAI BAHADUR
Lala Mela Ram Lahore Rai 1876

Lala Mela Ram was a famous son of Lahore. His factory, his house as well as his many things were left in Lahore. The Mela Ram road is still there near Data Darbar Sahib and is called Darbar road now. A huge safe was salvaged by people, which included a host of documents. Stocks worth lakhs of rupees, photographs of his family, invitation cards (including the investiture of British Kings and Queens) from London, an astro globe of horoscope, a Kama Sutra manuscript with illustrations, as well as the certificates of his proclamation as RAI and as RAI BAHADUR. Chughtai Museum just acquired these two documents for record archives, at a great cost.  The resources did not allow acquisition of other objects.

Lala Mela Ram Lahore Rai Bahadur 1886

The same are presented as a homage of peace from Lahore to the Hindus of India. Live in peace!

Lala Mela Ram building Lahore

THE INSECURITY OF WESTERN SCHOLARSHIP ABOUT ISLAMIC ART OBSESSED WITH TRYING TO PROVE EUROPEAN ART INSPIRATION – AND YET WESTERN PAINTERS THEMSELVES SUCCUMBED TO AURA OF MUSLIM ARTISTS FROM REMBRANDT TO STREET PAINTERS

THE INSECURITY OF WESTERN SCHOLARSHIP ABOUT ISLAMIC ART OBSESSED WITH TRYING TO PROVE EUROPEAN ART INSPIRATION
AND YET WESTERN PAINTERS THEMSELVES SUCCUMBED TO AURA OF MUSLIM ARTISTS FROM REMBRANDT TO STREET PAINTERS

Venetian artist Gentile Bellini 15th century
Turk painter by Gentile Bellini
Rembrandt
There is an inevitable jealousy surrounding the analysis of Western art analysts about Muslim Art. For them Western painters are supreme and the history of art starts from their domain. For centuries Chinese art, Japanese art debunked in different ways, but Indo-Pakistani art debunked most at the hands of chauvinistic art historians. Yes, there were great scholars in the Western background, but the present hierarchy of same are oblivious of achievements of regional painters. Everything has a western connotations for them.
Emperor Jahangeer by Rembrandt
Chess players
De Laet Journal 1631

Islamic art inspired many Western artists. Masters like Rembrandt and Bellini were struck by the beauty of Islamic art. But even ordinary things saw this effect in place. You see various western paintings with Islamic carpets in them, Islamic naqashi in their background and architecture being influenced by same too. The greatest effect we see in design of churches as well as aesthetics of bibles. We talk more about that later. Till then stop this charade of cultural hegemony. Chauvinism of inspiration taken too literally. We were not far behind but ahead at many places.

Gospel in Islamic tradition
4 recto – Arrest of Christ
Islamic influences
Madonna in Islamic perspective
Western interpretations Turkish images
Prayer book
Shah Jahan by Rembrandt
roshan ara_ferrario1
Islamic carpets in Western art
Islamic carpets

AN OFFICIAL RECORD OF RECONCILIATION OF HINDU MUSLIM NATIONS – ATTEMPTED IN COINS ISSUED AT MAHMUDPUR (LAHORE) BY SULTANS

AN OFFICIAL RECORD OF RECONCILIATION OF HINDU MUSLIM NATIONS
ATTEMPTED IN COINS ISSUED AT MAHMUDPUR (LAHORE) BY SULTANS
Coins carry history which is normally forgotten. The city of Lahore had the name of Mahmudpur in the times of Sultan Mahmud Ghazni. A recollection of those times occur in the area to this day known as Mahmud Booti. The first coin struck here by Sultan Mahmud carried the legend:

Mahmud (998-1030) Silver dirham, bilingual type, Mahmudpur (Lahore)
Weight: 2.81 gm., Diameter: 19 mm., Die axis: 7 o’clock
Arabic legend: Shahada followed by yamin al-daula wa amin mahmud al-milla
(Mahmud guardian of the faith), al-qadir above, billah at left
Date in the margin: AH 418 (= 1027-1028 CE) /
Sanskrit legend in Sharada letters: avyaktameka muhammada avatar nripati mahamuda
(the Invisible is One, Muhammad is the manifestation, Mahmud the king) 

Mahmud Ghazni bi-lingual Lahori coin

Very soon after that Sultan Masud the son of Sultan Mahmud 1041-1050 AD started the HORSE AND BULL series, which were carried for quite some time by the other Sultans too. The Horse represented the Muslims, the Bull represented the Hindus.

Ghaznavid control largely continued in the existing administrative system. Thus Ghaznavid coins issued in North western India have bilingual legends written in Arabic and Sharda scripts . Some carry Islamic titles together with the portrayal of the Shaiva Bull, Nandiand the legend Shri samta deva. The reference in the latter remains ambiguous . A dirham struck at Lahore carries a legend in the Sharda script and a rendering in colloquial Sanskrit of the Islamic Kalima.
Ghaznavid Lahori coin Horse

A thousand years gone and except for limited times, no reconciliation took place. The Muslims were broad minded enough to be large hearted. That is why millions embraced Islam. We see the same relevance today as both nations are still at war with each other. Give peace a chance! Shanti Maharaj Shanti! Be calm seek tranquility.

Ghaznavid Lahori coin Bull

AN UNKNOWN ARAB MOHALLA IN LAHORE OF 10TH CENTURY – CENTURIES OF ACCUMULATED PREJUDICE CANNOT GO AWAY

AN UNKNOWN ARAB MOHALLA IN LAHORE OF 10TH CENTURY
CENTURIES OF ACCUMULATED PREJUDICE CANNOT GO AWAY
First mosque in India 629 AD

Muslims came into this region long long time ago. Arab traders were here even before Islam, and they mixed well in the environment. Ancients mosques existed here. Some of them still exist here. In 982 AD the author of HUDUDAL ALAM states that all the inhabitants of Lahore were idolaters and there were no Muslims here. But Fakhri i Mudahhabir states that Sultan Mahmud Ghaznavi built a separate Mohalla here for Muslims and it was called Arab Mohalla and he built a mosque of bricks here called Khusti Masjid, which was a marvel in its age.

First mosque in Banbhore

“FAḴR-E MODABBER, pen-name of Moḥammad b. Manṣūr b. Saʿīd, entitled Mobārakšāh, author of two prose works in Persian written in India in the late 6th/12th and early 7th/13th century, a book on genealogy with no formal title and the famous Ādāb al-ḥarb wa’l-šajāʿa”.

 
A segment of Hindu population got along well with them, and there were Hindu Generals in the Ghaznavid army itself. Hindus predominated the Mughal Army too. Many got along well with benefits and a certain segment remained allergic to them as they were two nations even then.
http://blog.chughtaimuseum.com/?p=554#comments

Lahore has seen many attacks on its soil. This was the first important one. The 1965 one when an Indian General proclaimed  that he would have his peg (alcoholic drink) in Lahore Gymkhana. And he never got there, thanks to our valiant Army. Today the Army of Pakistan stands to defend our country again, from terrorists who cannot forget the prejudice of 1200 years. Rewriting history and hybrid war cannot erase the complex from the mind or soul.

THAT BIGOTED RELIGIOUS AND LIBERAL SECULAR FANATICS – DOING WRONG TO OUR ISLAMIC VALUES AND WELL BEING

THAT BIGOTED RELIGIOUS AND LIBERAL SECULAR FANATICS
DOING WRONG TO OUR ISLAMIC VALUES AND WELL BEING
Most of Pakistan is composed of Muslims, who believe in Allah and his Prophet Muhammed (PBUH), and attest to the finality of the Prophet (PBUH). And yet there is a small minority of bigoted religious as well as liberal secular, whose only work is to undo the Identity of the nation. Some are purchased to do so and some are merely foolish in their own rights.  The enigma start when they quote traditions and there are always other traditions which are averse to same traditions. It ends nowhere. At the death of our Holy Prophet (PBUH), it was wisely said by Hazrat Umar, that the man who was our Prophet is dead, but his message is ever alive in the book he has left us. Hold on to the Quran and you will never go wrong. Out foolishness is in diluting the Quranic concepts with other ideas. Anything which will negate the Quran whatever its source would be absolutely wrong. Remembering that Islam is not a religion but a DEEN, a way of life, with laws of harmony.
Clashing values harmony

We know that Raja Jaipal after having been defeated by Sultan Mahmud Ghaznavi committed suicide. And proudly claimed that as Rajputs they would put their loved ones to the sword and then end their own life. One segment of the readers think of it as a brave act, others scorn at the foolishness of the Raja. No Muslim can think like that, and spurn it as a defeatist attitude. Sultan Jalaluddin Khawarizm  escaping the wrath of the Chengiz (Temujin) Khan, jumped into the river Indus on his horseback. Again interpretations differ. For instance Salman Rashid calls him a coward, while others praise his bravery at risking his life against all odds by jumping into a raging river, and looking forward to equalizing things.  Mere interpretations. No one knows the truth of what was said but the facts are the same for both view points. Obviously you will judge an event with your own background. Raja Jaipal has plenty of followers in even our own delinquent liberals, but judgement is a point of view only. At one time, and one person, views will continue to differ with impunity. Our favourite past time is belittling our own heroes and our own history. Correcting same without facts and then putting own interpretations as facts is a childish game. Every time has its own value. In our times we should be responsive to other values of different times. Interpretations is a developing game.

BIGOTRY

Divergent points of view can be tolerated where no harm ensues out of that. Yes it is good to disagree without being disagreeable, but again a point arise where the same stops. For example an arsonist about to set fire to a house has to be stopped at all costs. Here divergent respect stops to practical interference. Islamic civilization has a set of values dictated by the Quran. There are Quranic laws which have to be respected for social harmony. The drive towards anarchy is welcome nowhere.