M.A. Rahman Chughtai studied Photo-lithography at Mayo School of Arts and was later put in charge of the same department. To polish his skills, he was sent to the Photo-lithograhy department of Archaeological Survey of India in the Summer camp which lasted from 21t July to 4th September, 1919. Not having enough resources to stay in some fancy place, he was a paying guest of an inn keeper, that is a small tandoor in the city. He was in a hurry to come back to Lahore. He did not like to stay there far away from his home.
There for holidays collected Master Hussain Baksh originally from Lahore (famous artist of Agha Hashar theatre), Master Sher Muhammed and others. Chughtai Sahib was in no mood to betray his visit but he accompanied all the other artists to Shantiniketan, where they met the artist, Abanindranath Tagore. Contrary to the prior promise that his identity will not be revealed, the companions blurted out his name, when Tagore asked them about the artist from Punjab, who was publishing works in magazine Modern Review Calcutta. And that is where the FIRST CONFRONTATION took place when the Bengali Master called Chughtai Sahib Kabuli wala in a demeaning way and made jest of his large hands like an iron smith. All those morons who talk of this visit in the insulting way of perhaps Chughtai Sahib being a student of Tagore can learn much by reading about the happenings there. But that is a separate topic and we will talk about it later.