AN AGE OF QUICK LEARNING, TODAY’S SCHOLARS ARROGANCE, LEADS TO SELF DELUSIONMENT OF THEIR IGNORAMUS NATURE, CONCLUSIONS WITHOUT ACCESS TO ARCHIVES, ORIGINAL WORKS.
It all started in 1975 with the death of M.A. Rahman Chughtai. We realized those who knew the artist Chughai first hand were gone. Few were left, and made us realize the importance of creating a new batch of scholars. Students and scholars have come from all over the world to study here and we have helped them. Really fine people. But there are those who became arrogant with what we taught them. The extent was that they started to mislead the world with the scanty things they knew. Humility is the first sign of greatness. With knowledge we gave them free, they started making money out of the same. No harm done on the right track. But misleading created problems.
Few have recorded the last phase of the artist. Certainly he was fine by 1972 and even 1973. But 1973 and 1974 created problems. His illness led to tremor in his hands and this is reflected not only in his signatures but in the works themselves. To hide the tremor he purposefully made his elegant line thicker so that the tremor could not be noticed. We list some things for information.
Dust Covers of books
In July 1973 Chughtai made a dust cover for the poetry of Sarmad Mazhari. That reflects that he was fine till July 1973. No stopping his creativity.
Some works of last phase
Note the works Mother and Child, Noora the Gambler, the Victor and it is clear that by this time things were fine. In the work Mother and Child we notice the tremor. This was possibly his last work.
Signatures Urdu
Compare signatures of various periods. People cannot even recognize the signatures of the last phase and many can mistake them by being not his. But they are very well his own. So keep the inquisitiveness alive. Ask us if you don’t know.
THE ISLAMIC HINDUS OF LAHORE KHARBOSA DEKH KAY KHARBOSA , RANG PAKARTA HAI: CO-EXISTENCE!
There is a saying in our culture. It says ‘Kharbosa dekh kay kharbosa rang pakarta hai’, which is plainly saying that if you put a melon , near another melon, that melon picks up the colour of the other melon. Lahore has always been a Muslim city, proven by documentation as well as archaeology. The mythical Lahore of a Hindu city, if it ever existed has not been discovered yet. And certainly somewhere else. The Muslims brought in their culture here with the advent of Sultan Mahmud Ghaznavi, although it is said that Arab quarters existed here even before that. The recent discovery of remnants of a flood dam in Mahmood Booti proves that, with its huge pillars of wells for water control, The culture of the Sultans as well as the Mughals certainly affected the heart and minds of the Hindus which started co-existing with their Muslim companions here. Baihaqi (historian 11th century) talks of the Hindu Slave boys brought here, and how they were very much loved and pampered by the people. It was natural that cultures get through people with love and affection.
An Anarkali curio dealer, the late Manzoor Hussain Sahib was a man of many dimensions. He rang me one day of a Quran (plain, not decorated) which had been brought by a Pathan, residing in Qaiser Hotel Lahore. There was nothing special about the calligraphy, but it was written by a Hindu calligrapher of Lahore. Manzoor Sahib was reluctant about it, for he thought in terms of blasphemy, but I was very excited about it. I gave him permission to buy it, but the Pathan vendor slipped away, and our library was never able to acquire it. Of course there were many manuscripts being written in Lahore in Persian and Arabic by Hindu calligraphers, as proven by their presence. A number of QITAS are also there with Hindu names on it. I was offered a royal copy fully stamped of ‘Masnavi Maulana Rum’, written in Lahore, by a Hindu in Aurangzeb’s time. So much for the so called bigotry of Aurangzeb Alamgeer. And that was not enough!
Hindu-Slave-boy-Ghaznavid-figurineMushaira-1044-A-H-LahoreMushaira-LahoreMunshi-Datasta-PershadMalik Ram friend of MARCMandir Muslim architectJamia Masjid Hindu ArchitectJamia Masjid Bijapur Hindu Architect
We hear of a Kalyan Mimar son of Hira Mimar of Lahore making Islamic buildings in Aurangzeb’s time. The name is mentioned in many official documentation. Mausoleums as well as mosques were in his preview. Other Hindu Mimars were attached to the famous Ustad Ahmad Mimar’s family in Lahore, and attested to their involvement in Mughal buildings. The name of Hindu supervisors and administrators like Haibat Rai even refer to the construction of the Mausoleum of Rabia Durrani, wife of Aurangzeb Alamgeer at Aurangabad in Hyderabad Deccan. The architect was Attaullah Rushdi but the supervisor was Haibat Rai. But there is more!
Masjid Wazeer Khan Mosque Lahore was a scene of many MUSHAIRAS (poetry reading groups) and there is record of many such events in the mosque itself. Even the Wazeer Khan mosque itself was inaugurated with a mushaira in 1044 AH as attested by the Diwan of Mahmood Lahori. One event is particularly recorded and published in book form. It is a mushaira known as NAATIA MUSHAIRA, which is a group of poets of the area, reciting their poems in praise of the Prophet Muhammed (PBUH). The said event is dated in 1875 AD, and records the name and poetic outlets of about 25 poets. Names as well as poems are given. All in praise of the prophet, and all such poems are called ‘NAATS’. The surprising part is that there are two Hindu names in it. The poet TARA HALWAI (of Chowk of the Masjid) with the poetic name of ‘Tara’, and ARORA RAI, known as ‘Rai’. Two Hindus of Lahore reciting poems in praise of the Muslim prophet. Incredible isn’t it!
This admixture of designs appear all over India and Pakistan and reflects more than a thousand years of co-existence.
M.A. Rahman Chughtai used to talk of his dear friend MALIK RAM, who was a resident of Chabuk Sawaran Lahore, too. With other boys, Malik Ram, received his Quranic teaching at the Masjid Mulla Ghous ( same place where Mirza Ghulam Qadiani met Baba Hiyadatullah) as well as the Chinay wali masjid in the same area. Malik Ram was very proud of those days and being a literary giant, has written about those days and his Quranic education. It was in the same spirit that the famous singer Lata Mangeskar sang a NAAT for the film Mughal-e-Azam in her full spiritual candour. These incredible incidents of Lahore remain unrecorded and most interesting for future of our two countries.
We know of Hindu Mandirs designed and made by Muslim Architects, but do we know of Jamia Masjids, designed by Hindu Architects. Take Bijapur and the Masjid of Karimuddin there. Karimuddin was son of Malik Kafur, famous General of Sultan Allauddin Khilji. A Jamia Masjid was made in Bijapur in 1242 AH or 1320 AD by Revoya of Salhasdage. It exists to this day, famous due to extensive use of pillars in it.