FINAL WORD IN PICTORIAL EXCELLENCE OF CHUGHTAI ART;
THE FINISHED MASTERPIECES OF ART THAT KEEPS HIM ALIVE.
A lot of people had seen Chughtai art in private sittings, as well as many exhibitions shows in Pakistan and abroad. A lot of images used to appear in magazines and newspapers. But after his death the link was cut off. We restored that link with the inauguration of Chughtai Museum on 17th January, 1976. Followed by various shows and invitations of World experts to Chughtai Museum. A separate talk on this issue is overdue.
01-Locked-Horns 
002-Allah-Din-and-Magic-Lamp 
04-Sparkling-Eyes 
04-Temptress 
05-Daughter-of-the-Haram 
06-Together-in-the-Mountains 
07-Day-Out 
10-The-Glory-of-Almighty 
038-Vibrant-Krishna 
094-Cipee-(Shell) 
101-Peacock-Posture 
104-Sunflowers
Suffice that the water colour masterpieces are the back bone of Chughtai art. No one has access to originals, as well as sizes of the work. That is why most mistakes are made. Let us first examine a selection of the Master pieces. From then on we will discuss the practical issues involved in this analysis. Enjoy here! Anyone can enjoy with us too!
Pictorial aesthetics unsurpassed even today
Wonderful
Kamal admee thaa
Yes indeed